| Posted in absintheurs, belle epoque, green fairy, marseille, pernod, poe, pontarlier, van gogh, wormwood | Posted on 10/20/2012
Our series on the history of absinthe continues: today I'm writing about
the origins of absinthe, and its ups and downs in history. This week's
chapter takes you right back to the Belle Epoque, and will show you how
absinthe became so popular. Artists apparently felt inspired by the
green Fairy, but were they genuinely inspired, or did this inspiration
actually result from absinthe's overall popularity during that period?
Read, and decide for yourself.

Absinthe – a high profile spirit
Artists such as Edgar Allan Poe, Van Gogh, Toulouse-Lautrec, Baudelaire, Oscar Wilde, Picasso, Hemingway, and many others, felt inspired by absinthe, and honoured it within their art work. The green fairy was always considered to have a soft, caring character, this is why she was always illustrated as a woman.
Warm regards,
Absinthes.com

Absinthe, a thriving business
The rapidly increasing popularity of absinthe led to the founding of
distilleries in every region of France: 65 in and around Paris, 52 in
Bordeaux, 45 in Marseille, 25 in Pontarlier, 18 in Lyon and 12 in Dijon.
Wormwood was key – everything evolved around its cultivation,
distillation, and trade.
Nearly every town had its own distillery, and the staggering number of
brands, absinthes, and recipes made it difficult for consumers to choose
between them. Taking advantage of this flourishing business, a large
number of representatives and sales people travelled all over the
country to sell their brand to the cafes and restaurants. In 1874, the
average consumption of absinthe was 700,000 litres per year. 36 years
later, in 1910, this number had risen to an incredible 36,000,000
litres. Clearly, back then, working in the absinthe industry was a very
promising prospect!

Ca. 1900: Everybody loved Absinthe!

Ca. 1900: Everybody loved Absinthe!
Absinthe – a high profile spirit
Apart from distilleries, this thriving business delivered just as much
potential for the advertising market. Especially the poster designers
must have benefited the most – they used two very desirable marketing
strategies: On one hand, they promoted the feeling of wealth and living a
luxury life, and on the other hand, they connected absinthe with
feminine eroticism, to appeal to the predominantly male target audience.
Along with posters; postcards, newspaper adverts, and precisely
designed bottle labels were commonly used to market the green fairy.
From 1900 onwards, manufacturers and their marketers started including slogans stressing the supposed medical benefits of absinthe. Posters and cardboard displays were shouting “It's good for your health!” and reached a large number of people, especially members of the artist community.
From 1900 onwards, manufacturers and their marketers started including slogans stressing the supposed medical benefits of absinthe. Posters and cardboard displays were shouting “It's good for your health!” and reached a large number of people, especially members of the artist community.
Friend and muse of the artists
Verlaine, Rimbaud, two names that are strongly associated with
absinthe... However, it seems that the green muse haunted nearly all
artists, writers and dramatists during the Belle Epoque. Writers,
painters and actors all felt tremendously inspired by the green fairy.
Whether she actually fired the artists' imagination or not, one cannot
be certain. However, the fact that absinthe and its ritual were so
popular across all social classes, was certainly another reason why it
was found in so many paintings, scripts and poems.

This 1896 photo of the great poet and habitual absintheur Paul Verlaine shows this melancholic figure in the last year of his life with his ever-present glass of absinthe seated in a café.

This 1896 photo of the great poet and habitual absintheur Paul Verlaine shows this melancholic figure in the last year of his life with his ever-present glass of absinthe seated in a café.
Artists such as Edgar Allan Poe, Van Gogh, Toulouse-Lautrec, Baudelaire, Oscar Wilde, Picasso, Hemingway, and many others, felt inspired by absinthe, and honoured it within their art work. The green fairy was always considered to have a soft, caring character, this is why she was always illustrated as a woman.
Absinthe and feminism
The women from the Belle Epoque didn't want to be limited to the small
range of “liqueurs made for ladies”. Female students and workers from
local breweries used to meet after work, and enjoy a couple of glasses
of absinthe in a warm, relaxed atmosphere, which was a sign of very
early emancipation, as stated by Henri Balesta in 1860:
"In the Latin Quarter, these ladies don't fear drinking alcohol at
all, they are far away from fear, and drink everything they can. Once
you walk over the bridge to the Boulevard, you'll find the nicely spaced
out tables full of absintheuses and absintheurs, and I guarantee you,
that the absintheuses are at least as experienced and passionate about
absinthe, as the absintheurs."
The cafes and restaurants along the boulevards experienced a change of
the atmosphere: the gentlemen in waistcoat and hat were joined by
beautiful women with nicely sewn dresses.

Women used to enjoy absinthe just as much as men.
I hope you enjoyed the third chapter of the Absinthe History - if you would like to read it again, may I suggest you pay our blog a visit, where you will be able to catch up on the previous chapters of my script. The fourth chapter will be sent out to you in two weeks - focusing on the beginnings of the anti-absinthe movements in France.

Women used to enjoy absinthe just as much as men.
I hope you enjoyed the third chapter of the Absinthe History - if you would like to read it again, may I suggest you pay our blog a visit, where you will be able to catch up on the previous chapters of my script. The fourth chapter will be sent out to you in two weeks - focusing on the beginnings of the anti-absinthe movements in France.
Warm regards,
Absinthes.com










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